Emile Zola Nana Heritage Press Illus Bernard Lamotte Slipcase
Emile Zola Nana Heritage Press Illus Bernard Lamotte Slipcase
Emile Zola Nana Heritage Press Illus Bernard Lamotte Slipcase
Emile Zola Nana Heritage Press Illus Bernard Lamotte Slipcase


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Format:Hardcover
Special Attributes:Illustrated,Slipcase
Title:Nana
Language:English
Publication Year:1948
Book Title:Nana
Author:Émile Zola
Narrative Type:Fiction
Publisher:The Heritage Press

MUST SELL TO MAKE ROOM FOR NEW INVENTORY! .. Nana by Emile Zola Illustrated by Bernard Lamotte The Authorized Translation into English by F.J. Vizetelly with a note by Henry James and also with an Introduction Prepared for this Edition by Lewis Galantiere The Heritage Press New York 1948 .. .. Nana tells the story of Nana Coupeau’s rise from streetwalker to high-class prostitute during the last three years of the French Second Empire. Nana first appeared near the end of Zola’s earlier novel Rougon-Macquart series, L’Assommoir (1877), where she is the daughter of an abusive drunk. At the conclusion of that novel, she is living in the streets and just beginning a life of prostitution. Nana opens with a night at the Théâtre des Variétés in April 1867 just after the Exposition Universelle has opened. Nana is eighteen years old, though she would have been fifteen according to the family tree of the Rougon-Macquarts Zola had published years before starting work on this novel. Zola describes in detail the performance of La blonde Vénus, a fictional operetta modeled after Offenbach’s La belle Hélène, in which Nana is cast as the lead. All of Paris is talking about her, though this is her first stage appearance. When asked to say something about her talents, Bordenave, the manager of the theatre, explains that a star does not need to know how to sing or act: “Nana has something else, dammit, and something that takes the place of everything else. I scented it out, and it smells damnably strong in her, or else I lost my sense of smell.” Just as the crowd is about to dismiss her performance as terrible, young Georges Hugon shouts: “Très chic!” From then on, she owns the audience. Zola describes her appearance only thinly veiled in the third act: “All of a sudden, in the good-natured child the woman stood revealed, a disturbing woman with all the impulsive madness of her sex, opening the gates of the unknown world of desire. Nana was still smiling, but with the deadly smile of a man-eater.” Émile Zola (2 April 1840 – 29 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. According to major Zola scholar and biographer Henri Mitterand, “Naturalism contributes something more than realism: the attention brought to bear on the most lush and opulent aspects of people and the natural world. The realist writer reproduces the object’s image impersonally, while the naturalist writer is an artist of temperament.” He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in the renowned newspaper headline J’Accuse…! Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. Clean bright tight very large hardcover with slipcase . Boards are bound in a gray cloth with a floral design printed in mauve . Titles stamped in gold upon a blue panel on the spine . The cloth on the spine is sun-faded and perhaps discolored . The slipcase is wrapped in mauve sun-faded at the edges and chipped along the foredges . . . .. Please ask any and all questions prior to purchasing an item or making a bid. Save on shipping with multiple purchases at the same time. Contact me with questions.

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