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Location: South Hadley, Massachusetts, United States
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Item: 285085670225
Condition:Used: An item that has been used previously. See the seller’s listing for full details and … Read moreabout the conditionUsed: An item that has been used previously. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Type:Print
Year of Production:1630
Image Orientation:Landscape
Production Technique:Etching
Country/Region of Manufacture:Netherlands
Subject:Landscape
Time Period Produced:Pre-1700
eBay Original Etching of Italianate Landscape by Willem van Nieulandt II (ca. 1584-1635) after Paul Bril (1554-1626) (circa 1630s?) Hollstein Dutch 89-5(5). On laid paper with partial watermark and thin margins. Published by Pierre Mariette (1603-1657) as written in the lower margin. Lower left states: “P. Bril inventor / Nieulandt fecit.” Lower right: “P. Mariette execud / Avec Privilege du Roy” with number “5” above. Good condition. The Rijksmuseum holds another copy of this print, which is part of a series of landscapes that Nieulandt produced in the early 1600s. “Willem van Nieulandt the Younger (1584-1635) appears in Karel van Mander’s Schilderboeck of 1604 as a pupil of Paul Bril’s in Rome, ‘And for a year he had as his pupil Guilliaem van Nieuwlandt, of Antwerp, 22 years of age, presently living in Amsterdam, who took on his master’s manner very naturally.’ When he was 4 years old Willem moved with his parents to Amsterdam, where he was apprenticed to Jacob Savery in 1599. . . . In 1602, at the age of 18, Willem van Nieulandt was living in the Via Paolina in Rome with his uncle of the same name. The elder Van Nieulandt, an artist born in Antwerp in 1560, had arrived in Rome on 22 October 1597 and was to live there until his death on 31 March 1626. There are no known surviving works by this artist. . . . The younger Van Nieulandt’s earliest dated drawings are from 1603, almost all topographical views of Rome. . . . Like his drawings, the artist’s paintings and prints have not been subjected to serious study. Willem produced more than 114 prints. Most of them state that they were published in Antwerp, where he was working between 1605 and 1629. Four prints of views of Rome were made after drawings by Matthijs Bril, although his name is not mentioned on them. There is also a series of prints on which Paul Bril is credited as the inventor, but the majority of the drawings that served as the designs for them were by Willem van Nieulandt, not Bril. . . . Some time after 25 August 1629 Willem returned to Amsterdam, where he died at the end of 1635.” –– Peter Schatborn, from the catalogue of a 2001 exhibition at the Rijksmuseum, published in English as Drawn to Warmth: 17th-century Dutch artists in Italy, translated by Lynne Richards
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